IN THEATRES JANUARY 18, 2008 Diane Keaton, Queen Latifah, and Katie Holmes star in this comedy caper about a trio of women who discover a secret that will make them rich. THELMA & LOUISE scribe Callie Khouri directs this film that also stars Ted Danson.

Robert Neville (Will Smith) is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable...and manmade. Somehow immune, Neville is now the last human survivor in what is left of New York City...and maybe the world. But he is not alone. He is surrounded by "the Infected"--victims of the plague who have mutated into carnivorous beings who can only exist in the dark and who will devour or infect anyone or anything in their path. For three years, Neville has spent his days scavenging for food and supplies and faithfully sending out radio messages, desperate to find any other survivors who might be out there. All the while, the Infected lurk in the shadows, watching Neville's every move, waiting for him to make a fatal mistake. Perhaps mankind''s last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But his blood is also what The Infected hunt, and Neville knows he is outnumbered and quickly running out of time.

IN THEATRES DECEMBER 7, 2007 (Limited) On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper's mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony's childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London. Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan's highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives headfirst into the emotional subtleties that make the story so wrenching. Whether any of the characters' actions are ultimately atoned for by the end of the film is a matter of perception, but Wright's sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling--Ronan's luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy's sensitive face; the defiant jut of Knightley's jaw as it melts into tender affection. The honey-drizzled look of the first two thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate.

IN THEATRES JANUARY 4, 2008<br><br>First, it was the television in the essential J-horror film RINGU and its American remake THE RING. Then Takashi Miike\'s CHAKUSHIN ARI scared people away from another ubiquitous technology: the cell phone. This creepy remake plans to do the same as Shannyn Sossamon (A KNIGHT\'S TALE) plays a woman whose friends die after they get phone messages that are the sounds of their own deaths.

Based on the true story of how Charlie Wilson, an alcoholic womanizer and Texas congressman, persuaded the CIA to train and arm resistance fighters in Afghanistan to fend off the Soviet Union. With the help of rogue CIA agent, Gust Avrakotos, the two men supplied money, training and a team of military experts that turned the ill-equipped Afghan freedom-fighters into a force that brought the Red Army to a stalemate and set the stage for conflicts in the Middle East that still rage to this day.

IN THEATRES DECEMBER 21, 2007 Two-time Oscar winner Hillary Swank tries her hand at romantic comedy in this touching film based on the bestselling Irish novel. Holly Kennedy (Swank) and her charming Irish husband Gerry (Gerard Butler) are a young couple struggling to get by in New York City. Their marriage is 10 years strong, and they are madly in love, but the fates soon step in, when Gerry develops cancer and dies. Holly is completely devastated, and her friends Denise (Lisa Kudrow) and Sharon (Gina Gershon) do their best to console her. Her mother (Kathy Bates) and sister, Rose (Nellie Mckay), also offer their support, but it seems nothing can pull Holly out of her grief. Then one day, she begins to receive love letters Gerry penned before his death. The letters are filled with various stories and instructions, and one of them even contains a plan that sends her and her friends on a trip to Ireland. As Gerry's posthumous letters buoy her up, Holly slowly begins to piece her life back together. His letters help her to celebrate their special love story, and remind her that she must continue to live her life, and seek out happiness. The film's stellar cast delivers many tearjerker moments, and P.S. I LOVE YOU does a fine job of yanking on the heartstrings. However, the tone often shifts so abruptly, it at times feels as though they couldn't quite decide if Holly was a steel magnolia, a Bridget with a diary, or a devil in search of some Prada. But the strong performances manage to hold the tale together, and the story is ultimately moving, and yes, romantic.

Angus, a young Scottish boy, finds an enchanted egg. Taking it home, he soon finds himself face-to-face with an amazing creature: the mythical "water horse" of Scottish lore. Angus begins a journey of discovery, facing his greatest fears and risking his life to protect a secret that would give birth to a legend.

IN THEATRES DECEMBER 21, 2007 With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music, Tim Burton fans will want to sing after seeing SWEENEY TODD. For his sixth collaboration with the director, Johnny Depp stars as Benjamin Barker aka Sweeney Todd, a barber falsely imprisoned by Judge Turpin (Alan Rickman). After leaving prison, he comes back to Victorian London to find his wife poisoned and his daughter held captive. As he plots his revenge, Sweeney joins forces with Mrs. Lovett (Helena Bonham Carter), and while he preys on clients asking for a shave, his new partner turns the bodies into baked goods. But the judge still lives, and the razor-wielding madman wants his vengeance. Though it's a musical, SWEENEY TODD has more in common with Italian horror films such as SUSPIRIA than it does with CHICAGO. Even the horror-musical hybrid LITTLE SHOP OF HORRORS pales in comparison to the darkness found here. Previous Burton-Depp pairings have veered toward the macabre, but this reaches a glorious new level. Though they've made excellent films apart, their partnership has produced some of their best work, including EDWARD SCISSORHANDS, ED WOOD, and now SWEENEY TODD. Depp demonstrates his rock-band roots as the antihero of the title with another amazing performance, while Bonham Carter is both hilarious and heartbreaking as the eager Mrs. Lovett. But credit also belongs to production designer Dante Ferretti, director of photography Dariusz Wolski, and, of course, Burton, for showing a sooty London that is just as dark as the film's subject matter. Source composer Sondheim should also be recognized for the haunting songs that threaten to stick in viewers' heads, but the film as a whole also deserves to be remembered for its beauty and brutality.

The bestial baddies go disgusting-toe-to-disgusting-toe in this follow-up to the sci-fi smash ALIEN VS. PREDATOR.

IN THEATRES NOVEMBER 21, 2007<br><br>With a fine cast and fun in-jokes, Disney?s ENCHANTED is sure to cast a spell over both children and adults. It begins with a 2-D animation sequence reminiscent of the company?s beloved past. Surrounded by dozens of cute animals, Giselle (voiced and later played by Amy Adams) sings about her desire to find her one true love. Meanwhile, a handsome prince (James Marsden) overhears her, and they meet and fall in love. In many Disney movies, this is where the story ends, but ENCHANTED is just starting out on its journey. The prince?s wicked stepmother (Susan Sarandon) can?t stand to lose her throne, so she pushes Giselle down a well, and the beauty ends up in the real world. Gone is the animated fantasy, and a live-action Giselle lands in the middle of Times Square in New York City. Her optimism and perkiness put her at odds with the New Yorkers she encounters, but she gets help from a cynical divorce lawyer (Patrick Dempsey) as she waits for her prince to rescue her. <br><br>Fans of Disney classics from SLEEPING BEAUTY to BEAUTY AND THE BEAST will be glad to see their favorite films referenced in ENCHANTED. Jodi Benson (the voice of Ariel in THE LITTLE MERMAID) makes a brief appearance, and the evil queen threatens to kill Giselle with a poisoned apple à la SNOW WHITE. Though it reminds the audience of past favorites, ENCHANTED boasts its own script that is at once intelligent and heartwarming. But the true highlight of the film is the acting by the fairy tale couple. Marsden (HAIRSPRAY) couldn?t be funnier as the charming prince, while Adams (an Oscar nominee for 2005?s JUNEBUG) gives dimension to the heroine. As a result, ENCHANTED is a film that deserves to sit on a shelf with Disney?s classics.