Some political films are naturally provocative, like Michael Moore’s Fahrenheit 9/11. Death of a President, however, is unnaturally provocative, where every frame of film feels forced. Sure, curiosity peaks when a film fictionalizes the assassination of President Bush. Yet after five minutes into this film, curious viewers will realize that the whole thing is a publicity stunt and nothing more. The greatest sin that Death of a President makes, isn’t the distasteful content, but how painfully boring it is. (more…)
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