Every time Pixar, that is now officially part of the House of the Mouse, pitches a new film to its audience by the means of releasing an excruciatingly small teaser or just some conceptual art, I can’t help but wonder how they are going to pull it off this time. WALL•E, as their latest effort is called, was a project that evolved even before Pixar scored big time with Toy Story that initially sounded and felt rather cold and machine-like. Like good wine, the film was shelved for nearly ten years, turning it into Pixar’s most ambitious and tender project to date. (more…)
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Every time Pixar, that is now officially part of the House of the Mouse, pitches a new film to its audience by the means of releasing an excruciatingly small teaser or just some conceptual art, I can’t help but wonder how they are going to pull it off this time. WALL•E, as their latest effort is called, was a project that evolved even before Pixar scored big time with Toy Story that initially sounded and felt rather cold and machine-like. Like good wine, the film was shelved for nearly ten years, turning it into Pixar’s most ambitious and tender project to date. (more…)
